主演：Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla
導演：Herbert Wilcox
簡(jiǎn)介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
主演：莫伊拉·希勒 安東·沃爾布魯克 Anton Walbrook 馬留斯·戈爾林
導演：邁克爾·鮑威爾 埃默里克·普雷斯伯格
簡(jiǎn)介：佩吉（莫伊拉·希勒 Moira Shearer 飾）是一名很有天賦的芭蕾舞演員，她對芭蕾舞的熱愛(ài)讓她覺(jué)得她生來(lái)便是為了舞蹈。她參加了芭蕾舞劇《紅菱艷》的演出，在劇中，她扮演那個(gè)穿上紅鞋一直舞蹈到死的舞女，她的演出獲得了業(yè)界的一致好評，她的演藝事業(yè)就此扶搖直上。之后，她結識了作曲家朱利安（馬留斯·戈爾林 Marius Goring 飾）并且迅速墜入了愛(ài)河。為了所愛(ài)的人，佩吉放棄了自己的事業(yè)，但婚后平靜的生活令她無(wú)法忍受，似乎總有一種魔力在召喚她穿上舞鞋翩然起舞。佩吉聽(tīng)從了內心的召喚，她離開(kāi)了朱利安重新回到了舞臺，但漸漸的，她想起了自己曾經(jīng)扮演過(guò)的那個(gè)穿著(zhù)紅鞋的舞女，她覺(jué)得她們的身影正在慢慢重疊，不安的佩吉猛然醒悟，自己生命中最重要的并非舞蹈而是家庭，她沖出劇院想要重拾朱利安的愛(ài)情，但一輛火車(chē)從天而降，終結了她年輕的生命?！ ∮捌瑯s獲1949年奧斯卡最佳配樂(lè )及最佳藝術(shù)指導獎。
主演：Anton Walbrook Diana Wynyard Frank Pettingell
導演：Thorold Dickinson
簡(jiǎn)介：Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14
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